b.1979 Enfield, UK
Huseyin Sami works with the physicality of paint itself. His medium, subject and process is an ever-building thesis on the possibilities and limitations of acrylic housepaint. Through incessant experimentation, Sami has developed an ingenious repertoire of techniques and activities predicated on dealing with the ontology of painting. Sami makes paintings without any of the gestures, tools, or decisions normally associated with the medium, deliberately relinquishing a certain agency and letting the paint drip and pool as its constitution determines, allowing his paintings to virtually make themselves. Within this process, Sami devises simple mahines and performnaces through which paint and painting undergo process with intentionally uncertain outcomes.
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