Jan Albers works seamlessly across various media. Having studied painting at the Kunstakademie Dusseldorf he sensed early on, that for him, working within the established protocols of paint and canvas felt limiting. Thus his practice sees him fold, cast, paint, shape, cajole and pressure material to make objects that conflate and enliven the orthodoxies of the dominant genres. Their complex topography, their nooks and crannies, their structural depth and intricacy suggest an entirely different reading of space that isn’t pictorial nor is it truly sculptural. Whatever the case, Albers is certainly up-dating the bas-relief and its traditional viewpoint.