b. 1991 Melbourne, AU
Lucina Lane interrogates the existing social, political and historical models specific to art and language, and rearticulates them, rather, as potentialities. Conceptually and temporally disparate found objects and experiences are gathered and reconciled, forging new syntactic compounds in the form of poetic provocations. Lane’s conceptually charged works, which manifest as text, assemblage, painting, installation, and sculpture, postulate a plethora of
slippages between collective and subjective experience, positing as-yet-unidentified bridges between the two. Artworks and exhibitions are treated as testing sites for dialectically opposing ideas, including most significantly the genesis and interrogation of authorship.
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