Talk 1

Parallel Worlds, a new imagination on internationality

Thursday 25 February 3-4:30pm

If we think about international links, what is the imagination of Aotearoa in the rest of the world, and what is now expected from a diverse range of practices and knowledge coming out of Aotearoa? What are the demands put on Indigenous work, both by public organisations, as well as by individual collectors? What is needed to provide more manaakitanga for these works in frameworks that are seemingly not designed to house them?

The panel will be led by Ioana Gordon-Smith with Tim Melville, Ema Tavola and Kimberley Moulton.

Ioana Gordon-Smith

Ioana Gordon-Smith is an arts writer and Curator Māori Pacific at Pātaka Art + Museum. Prior to this role, she was the inaugural Curator at Te Uru Waitakere Contemporary Gallery.  Ioana has also worked as Curator at Objectspace, a gallery dedicated to craft, design and applied arts, and as the inaugural Education Intern for Artspace, New Zealand, a role which came about through a partnership between Tautai Contemporary Arts Trust and Artspace to increase the accessibility of Artspace to its nearby Pacific audiences.

In addition to her curatorial work, Ioana also contributes regularly to a number of catalogues as well as magazines and journals, such as Art New Zealand, Art News New Zealand and un Magazine. She was the New Zealand-based project manager for the inaugural Honolulu Biennial 2017 and has been a regular Pasifika correspondent for Radio New Zealand.

She plays an important role in community arts as a trustee for the community-focused art collective Whau The People. Though her areas of interest span a broad range of disciplines, what is consistent throughout is a curatorial process that prioritises a close working relationship with artists and arts communities.

Ioana is the Assistant Curator of Yuki Kihara, Aotearoa New Zealand at the 59th Venice Biennale 2022.

Tim Melville

Tim Melville (Te Arawa, Te Atiawa) returned to Aotearoa in 2005 after 20 years in London. While there he completed a career-changing Art History degree and opened his Auckland gallery in 2007.

He is best known, perhaps, for his representation of emerging New Zealand artists, but his project has also introduced artists from Australian Aboriginal communities to New Zealand collectors and curators. He sees resonance in shared attitudes toward country in Australia and whenua in Aotearoa and he is interested in exploring their meeting points.

As one of the few Maori gallerists in the commercial art world Tim feels a particular responsibility to translate the values imbued within indigenous artwork for his gallery’s predominantly European audience of friends and supporters. This kaupapa is supported by a business model whose integral values include aroha and manaakitanga.

Tim Melville’s stand at the 2021 Auckland Art Fair presents work by Joe Sheehan (NZ) and Alberto Garcia-Alvarez (Spain / NZ) alongside Aboriginal artists George Ward Tjungurrayi and Nola Campbell (Warakurna Artists, WA), Rammey & Kathy Ramsay (Warmun Art, WA) and Nonggirrnga Marawili (Buku-Larnggay Mulka, NT).

Ema Tavola

Ema Tavola is an independent artist-curator based in South Auckland, Aotearoa New Zealand. Tavola’s curatorial concerns are grounded in the opportunities for contemporary art to engage grassroots audiences, shift representational politics and archive the Pacific diaspora experience. Tavola has worked in galleries and museums throughout Aotearoa New Zealand and is committed to curating as a mechanism for social inclusion, centralising Pacific ways of seeing and exhibition making as a mode of decolonisation. She opened her independent gallery, Vunilagi Vou in 2019, which relocated from a commercial premises to her converted garage as a result of the COVID-19 global pandemic.

Kimberley Moulton

Kimberley Moulton is a proud Yorta Yorta woman, curator and writer and Senior Curator South Eastern Aboriginal Collections at Museums Victoria. She has worked in curatorial roles at Melbourne Museum for over ten years (Bunjilaka Project Officer and Curator 2008-2015) and has curated over sixteen exhibitions with the Victorian Koorie Community at Museums Victoria. She was an assistant curator for the permanent First Peoples Exhibition at Melbourne Museum from 2009-2013. In her practice she works with knowledges, histories and futures at the intersection of historical collections and contemporary art and making. She is also interested in anti-colonial curatorial methodology and First Nations representation and access in museums and galleries.