Benjamin is a core member of the international art collective, TMD, and is also an active member of the Tongan art collective, No’o Fakataha. With a solid grounding in aerosol painting, his initial creative output centered around sub/pop-cultural influences that emerged from North America in the 1970s -1990s. Since then, Benjamin has continued his journey of ancestral discovery and steadily developed his interests and research into aspects of Tongan history and culture.
Benjamin’s practice extends across a diverse range of projects, which include large scale public murals, commercial print based media, paintings, photography and performance. Combining an ongoing investigation into the symbolic use of colour, kula (red) and `uli (black), with a strong interest in Tongan history, Ngatu (bark cloth) making, Kupesi (designs and motifs), and the heliaki (semiotics) of the Povāi (ancient Tongan war clubs), his work forms as a contemporary point which furthers the parallels that can be drawn between established Tongan traditions and practices, and the spiritual and social significance these have for Tongans within the Pacific diaspora.
The bold visual language of his work references historical narratives, iconography, symbolism, and design elements that are particular to Tongan culture, which are also firmly positioned amidst notions connected with Ta and Va (time and space) Tatau (symmetry), Potupotutatau (harmony) and Faka `ofa `ofa (beauty). Benjamin has exhibited in Australia, Mexico, New Zealand, North America, Rarotonga and Tonga where he travels frequently.